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Blackmagic URSA Broadcast G2 - Dragon Image
Blackmagic URSA Broadcast G2 - Dragon Image
Blackmagic URSA Broadcast G2 - Dragon Image
Blackmagic URSA Broadcast G2 - Dragon Image
Blackmagic URSA Broadcast G2 - Dragon Image
Blackmagic URSA Broadcast G2 - Dragon Image

Blackmagic Design URSA Broadcast G2 Camera

Regular price
$6,299.00 629900
Sale price
$5,566.80 556680
Update your broadcast studio or internet broadcast camera with a versatile 3-in-1 powerhouse using the Blackmagic Design URSA G2 Broadcast Camera. This updated G2 model features generation 5 color science and not only supports up to UHD 4K as its predecessor for production and studio work but can now be used as a 6K digital film camera that records in Blackmagic RAW format. The lens mount is compatible with 2/3" B4 lenses, but it also includes an active EF mount adapter, allowing you to access a long line of professional cinema lenses. It allows you to apply 3D LUTs for cinema-like looks, has built-in optical ND filters, features 12G-SDI input and output, captures audio via two XLR inputs, and can record using Prores 422 and Blackmagic RAW onto CFast 2.0 or SD UHS-II cards.
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Delivery & Returns guide

1. QUOTATION

Any quotation made by the company is not an offer to sell or to provide services and no order given in pursuance of any quotation shall bind the Company until accepted by it in writing or by the commencement of the supply or provision of services.

1.1 Delivery / Shipping Policy

Average delivery days will be 03 days up to a maximum of 10 days. If you still have not received your purchase within this time frame, please contact us URGENTLY.

1.2 Refund/Returns Policy

Should the product be faulty or defective on arrival, we will offer you, a full replacement or a full refund including postage /shipping

1.3 Privacy Policy:

we will not disclose customers personal information.

2. ACCEPTANCE OF BUYERS ORDER

Unless otherwise agreed in writing all orders are subject to acceptance by the Company within 30 days of receipt by the Company of the Purchaser's order and these terms and conditions will be deemed to be incorporated in any agreement between the Company and the Purchaser. Any terms and conditions contained in the order offer acceptance or other documents of the Purchaser and, subject to the provisions of the Trade Practices Act, all representations statements terms conditions and warranties (whether implied by statute or otherwise) not embodied herein are expressly excluded to the fullest extent permitted by law.

3. CANCELLATION OF ORDERS

Once placed, no order may be cancelled by the Purchaser except in writing and then and then only with the prior consent of the Company.

4. SUBSTITUTION

While descriptions of the equipment or services and brochures accompanying any quotations are as accurate as possible, we reserve the right to supply the equipment or services with such modifications and specifications at the company's discretion.

5. PRICES

The prices of Goods shall be EX warehouse and shall be specified in the Company’s price list current at the time of invoice by the Company which prices and list may be varied by the Company at any time without notice. Unless we state in writing to the contrary the price does not include GST or installation. The Company reserves the right to charge freight at an amount determined from time to time at the Companies discretion. Unless a price is stated in writing to include GST, the Company will, in addition to the price for a supply, charge the Purchaser any GST which may be payable in respect of that supply.

6. PAYMENT TERMS

Payment Terms are Net 30 days from the end of the month in which the goods are purchased, to approved Purchasers only. All other sales are Cash With Order unless agreed in writing by the Company.

If any payment is not made by the Purchaser to Dragon Image Australia on the due date thereof: a) the Purchaser shall, without prejudice to Dragon Image Australia's other rights, pay Dragon Image Australia a default charge at the rate of two per cent (2%) per month or part thereof from the due date for payment until the date payment is made; b) Dragon Image Australia reserves the right, and without prejudice to its other rights hereunder and at law, to cancel orders or to suspend deliveries of other Goods until such payment has been made; and c) all moneys owing to Dragon Image Australia including all monies owing to Dragon Image Australia for Goods sold shall become immediately due and payable and the Purchaser shall indemnify Dragon Image Australia against all costs (including Solicitor and own client costs, commercial agents, commissions, freight, surcharges, fees, insurances, accounting costs, loss of profit and all interest) incurred by Dragon Image Australia as a result of such default and the action taken by Dragon Image Australia in respect of the same.

7. DELIVERY

The Company may deliver the goods by instalments or partial shipments and the Purchaser will accept each delivery. Requirements shall not be a condition or of the essence of the contract. The Company shall not be under any liability for direct or consequential loss or damage to the Purchaser arising from delay or postponement of delivery. The Company shall have the sole and absolute discretion as to the choice of carrier and method of carriage of the goods. Should the purchaser nominate their own carrier then all charges relating to such delivery will be for the Purchaser’s own account. In the event that the Purchaser alleges that any of the Goods have not been delivered as ordered it shall give written notification of such alleged non-delivery to Dragon Image Australia within seven (7) days of the date of the invoice relating to those Goods and a full description of the goods.

8. WARRANTY

Goods supplied by the Company to the Purchaser shall have the benefit of any warranty given by the Manufacturer, however, subject to the Trade Practices Act, the Company shall not be liable for any damage direct, or consequential arising out of any defects. All other Conditions hereby expressly negated so far as they lawfully can be.

9. CLAIM AND RETURN POLICY

The Purchaser shall be responsible for inspecting the goods immediately upon delivery to ensure that the goods are those ordered by the Purchaser. The Purchaser's responsibility shall not in any way be diminished or extinguished in the case of goods that are delivered to a third party at the direction of the Purchaser. All claims must be submitted in writing within 7 days of receipt of the invoice. Goods cannot be returned for credit, except with prior issuance by the Company of its Goods Return Authorisation Number. Goods will not be accepted by the warehouse unless the-Goods Return Authorisation is clearly marked on documents accompanying returned goods. All goods returned should be in new condition, original packaging and include all, accessories manuals and instructions. Where any part of a product is not returned, Dragon Image Australia reserves the right to reduce the credit by the price for said accessories, manuals and instructions. Returned goods will be subject to count & inspection before credit is passed. Where goods are returned for reasons other than faulty, damaged or incorrectly delivered goods, the Company reserves the right to apply a re-stocking fee of 25% of the sale price of the returned goods

10. TITLE & RISK

The Purchaser acknowledges and warrants to Dragon Image Australia that the Purchaser is not insolvent and being a natural person has not committed an act of bankruptcy or made an arrangement with his creditors or being a company knows of no circumstances which would entitle any debenture holder or secured creditor, or any other party, to appoint a receiver, to petition for winding up of the Purchaser or apply for the appointment of a manager or administrator or exercise any other rights over or against the Purchaser's assets. The Purchaser will immediately notify Dragon Image Australia if it becomes aware of any such circumstances. The Purchaser acknowledges that these Terms and Conditions constitute an agreement to supply Goods to the Purchaser upon the Terms and Conditions herein set out and are not an unconditional sale of Goods to the Purchaser or until the Purchaser sells the goods to a third party or until the Goods are incorporated into end products and are not severable therefrom.

The Purchaser acknowledges and agrees that no title to the Goods shall pass to the Purchaser by reason of the delivery of the Goods or the acceptance by Dragon Image Australia of the Purchaser's request to supply the Goods, although risk shall pass to the Purchaser on the delivery of the Goods. It is a condition of these Terms and Conditions that Dragon Image Australia shall remain the sole and absolute owner of the goods until such time as the agreed price of the Goods the subject of this supply contract, and all other Goods supplied by Dragon Image Australia to the Purchaser and all debts owing by the Purchaser to Dragon Image Australia shall have been paid in full to Dragon Image Australia by the Purchaser.

Until such time as payment in full has been made for the Goods and all debts, the Purchaser shall be the bailee of all of the Goods for Dragon Image Australia and shall store them upon its premises separately from its own goods or those of any other person in a manner which makes them readily identifiable as the Goods of Dragon Image Australia.

The Purchaser's right to possession of the Goods in which Dragon Image Australia retains title shall cease at whichever is the earliest of the following dates: a) upon the expiration of time given by Dragon Image Australia for payment in full of the Goods; b) if the Purchaser being a natural person commits an act of bankruptcy or compounds or makes an arrangement with his creditors or any of them, or if any execution or distress is levied upon the Goods of the Purchaser, c) if the Purchaser is a company is wound up, either compulsory or voluntary, or a receiver and manager appointed over the whole or a material part of its assets, or an administrator is appointed or the Purchaser reaches any composition or arrangement with its creditors.

Upon the cessation of the Purchaser's right to possession of the Goods in which Dragon Image Australia retains title, Dragon Image Australia or its agents may for the purpose of recovery of the Goods enter upon any premises where the goods are stored or where they are reasonably thought to be stored and may repossess the same and the Purchaser shall assist and indemnify Dragon Image Australia in relation to such recovery.

At any time prior to payment in full for all Goods supplied if the Purchaser sells on his or its own account, the Purchaser shall sell as agent and bailee of Dragon Image Australia in law and in equity and shall hold the proceeds thereof in trust for Dragon Image Australia and shall not mingle the proceeds with other monies and shall not pay the cheque or cash therefore into an overdrawn bank account.

In the case where a receiver, liquidator, manager or administrator is appointed to the Purchaser and at the time thereof the Purchaser shall not have received the proceeds of the sale, the Purchaser or the receiver, liquidator, manager or administrator as agent for the Purchaser shall at the election of Dragon Image Australia assign to Dragon Image Australia within seven (7) days all rights against the person obliged to pay the proceeds of the sale.

11. FORCE MAJEURE

The Company shall not be liable for any delay or failure to perform its obligations if such failure was caused by any event for which the Company could not reasonably have exercised control.

12. GENERAL

a) Dragon Image Australia may amend these Terms at any time by giving Purchaser notice by mail, e-mail or by posting a notice on Dragon Image Australia's public website. By continuing to place orders for Products, the Purchaser will be deemed to have accepted the revised Terms. b) Any provision of these Terms which is invalid or unenforceable will be read down to the extent necessary, and the remaining provisions will continue unaffected, c) Purchaser may not assign or attempt to assign any of its rights and obligations under these terms. d) These terms are governed by the laws of the State of New South Wales.

13. INSURANCE

Where the Company agrees to store or hold on consignment goods on behalf of the Purchaser, all risk remains with the Purchaser. Any goods so held are to be insured for full purchase value by the Purchaser.

14. ADDRESS

Where in these Terms & Conditions reference is made to the address Dragon Image Australia Pty LTD the registered office is: Dragon Image Pty Ltd. 2 McLachlan Ave Artarmon, NSW 2064

15. JURISDICTION & APPLICABLE LAW

The Terms and Conditions shall be governed and construed in accordance with the laws of the Commonwealth of Australia and in particular the State of New South Wales. The parties agree that the Courts of New South Wales shall have jurisdiction to hear and determine any dispute arising hereunder.

16. SEVERABILITY

In the event that any or part of these terms, conditions or provisions shall be determined invalid, unlawful or unenforceable to any extent such terms, conditions or provisions shall be severed from the remaining terms and conditions which shall continue to be valid and enforceable to the fullest extent permitted by law.

Blackmagic
digital
CINEURSAMWC6KG2

Update your broadcast studio or internet broadcast camera with a versatile 3-in-1 powerhouse using the Blackmagic Design URSA G2 Broadcast Camera. This updated G2 model features generation 5 colour science and not only supports up to UHD 4K as its predecessor for production and studio work but can now be used as a 6K digital film camera that records in Blackmagic RAW format. The lens mount is compatible with 2/3" B4 lenses, but it also includes an active EF mount adapter, allowing you to access a long line of professional cinema lenses. It allows you to apply 3D LUTs for cinema-like looks, has built-in optical ND filters, features 12G-SDI input and output, captures audio via two XLR inputs, and can record using Prores 422 and Blackmagic RAW onto CFast 2.0 or SD UHS-II cards.

The camera body is constructed with durable and lightweight magnesium, so it will hold steady in any environment. To power the camera, you can use the included 12 VDC power adapter or the preinstalled V-mount plate to utilize professional, high-capacity V-mount batteries. Also included with the camera are the URSA Mini shoulder pad, the URSA Mini top handle, a viewfinder mounting plate, and all the installation hardware and lens caps. A downloadable copy of DaVinci Resolve Studio is included, along with access to future camera software updates.

Three Cameras in One

Broadcast Production Camera

The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera, so you can locate them by feel. It also features a low-light sensor, so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.

Live Studio Camera

URSA Broadcast includes an advanced YRGB colour corrector built-in and full remote camera control. You can use B4 ENG or large studio box lenses, or even change the lens mount and use any lens. Plus, the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.

Digital Cinema Camera

URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount. Use a PL mount for digital film lenses or EF for photo lenses. Plus, the high dynamic range, great low-light performance, and Blackmagic RAW means you get a true "Hollywood" quality digital film camera.

Key Features

Digital Film Quality for Broadcast

The large 6K sensor, combined with Blackmagic generation 5 colour science, gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcasts. The 6K sensor features a resolution of 6144 x 3456, so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then, if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film. With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for colour correction. Using digital film in broadcast is a revolution in image quality.

Low-Light Performance

The new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.

Compatible with B4 Broadcast Lenses

The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera's sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera's controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.

Built-In Optical ND Filters

URSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 1/4, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and colour science of URSA Broadcast G2, providing you with additional latitude and better colourimetry. This lets you use different combinations of aperture and shutter angles in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus, the filter status on the LCD can be displayed as a fraction, number, or stop reduction.

Common Media and File Formats

URSA Broadcast is designed to work with standard file formats used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus. you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.

Dual Media Slots for Nonstop Recording

With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that's best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus, with dual media slots, URSA Broadcast gives you the nonstop recording. When a card is full, recording automatically continues onto the next card, so you can swap a full card while recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.

USB Type-C for Recording Direct to External Media Disks

The Blackmagic URSA Broadcast G2 features a high-speed USB Type-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and colour correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus, the USB port will power the disk that's plugged in. You can even plug in optional focus and zoom demands to allow full lens control.

Strong and Lightweight Magnesium Design

URSA Broadcast G2 features a super-strong, lightweight magnesium alloy body that's perfectly balanced and designed to be comfortable to use all day. It features familiar, externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB Type-C, and an industry-standard 4-pin XLR broadcast 12 VDC connection.

Built-In LCD with Touch Controls

With a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Behind the LCD, there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the on-screen menus.

External Status Display

The status display is a high-visibility LCD screen designed to be easily seen, even in bright light. The status display shows to record, locked, and reference timecodes, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you are shooting in dimly lit locations and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.

 

Program Video Monitoring

If you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature, as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.

Load Custom 3D LUTs to Recreate Film Looks

Digital film cameras shoot logarithmic colour space to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor, they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17- and 33-point 3D LUT files or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more.

Standard Television Industry Connections

Blackmagic URSA Broadcast G2 features the latest technology and connections, such as 12G-SDI. This includes 12G-SDI connections for both video output and returns program feed input. The 12G-SDI connections are multi-rate and switch between all HD and UHD formats up to 2160p60. Other connections include a headphone connection, USB Type-C, balanced XLR audio with phantom power, and timecode/reference input. There's also a front-mounted 12-pin Hirose connector for broadcast lens control, which can also power the lens. Plus, for connecting a viewfinder or on-set monitor, there's even an HD-SDI monitoring output and a broadcast style 4-pin XLR 12 VDC power output.

Supports All Broadcast Frame Rates

Whether you're shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super-smooth, crystal clear slow-motion video. To shoot slow-motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file for smooth slow-motion shooting. You can set up your preferred high-speed frame rate using the camera's on-screen menus, then switch between standard sync speed and off-speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready to go, so it's instantly available when the action gets exciting.

Professional Audio Connections and Built-In Microphones

URSA Broadcast G2 has a high-quality microphone and professional audio recorder built in so you don't have to carry any extra sound equipment. That means you can use the built-in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip-on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.

Studio Camera Control via SDI

All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform colour correction, tally, and lens control, and these are sent to all cameras. All you need to do is select the correct camera number, and it all works. This means someone can manage the image colour and gain, so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.

Work in Both HD or Ultra HD

The Blackmagic URSA Broadcast G2 is not just a great UHD 4K camera, but it's also an amazing HD camera. The high-resolution sensor and generation 5 colour science create amazing images with a high dynamic range and wide colour fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080 HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world. Plus, when working in HD, the high-resolution sensor allows sub-pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future-proof camera that's perfect for both HD and UHD production.

Change to PL, EF, and F Lens Mounts

URSA Broadcast G2 features an interchangeable lens mount, so you can easily swap the included B4 lens mount for an EF, a PL, or even an F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you're starting out, you can change the mount and use low-cost photographic lenses. Photographic lenses offer incredible quality because they're designed for high-resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best. as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses.

Latest Generation 5 Color Science

Featuring the same generation 5 colour science as the high-end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones, and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows for better-looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata, which you can then use in post-production. That means you get images that have a natural, filmlike response to colour adjustments in post with DaVinci Resolve Studio.

Blackmagic RAW Quality

Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem, so you get stunning images with incredible detail and rich colour throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.

Powered by Blackmagic OS

With the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system, where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.

Built-In Timecode Generator

All models of Blackmagic URSA Broadcast G2 have a built-in time-of-day timecode generator, so you can sync all the cameras and then do multicamera editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input, and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording, and the shots from all cameras will have matched timecode. Imagine shooting a music festival with multiple cameras. Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a multiview for easy editing.

Focus and Zoom Demands

The optional zoom and focus demands allow you to use photography lenses for live production. The focus and zoom demands have USB Type-C connections, so they control the lens via the camera's electronic lens control. Each zoom and focus demand has two USB Type-C ports, so you can daisy-chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel, so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized, so you can assign different camera functions to them. Plus, hardware is included for mounting the focus and zoom demands onto tripod handles.

Optional Viewfinders, SMPTE Fiber, and Lens Mounts

There's a wide range of accessories specifically designed to work perfectly with URSA Broadcast G2. However, a shoulder mount kit, V-mount battery plate, and top handle are included, so you don't need to purchase anything extra. Plus, you get a spare EF lens mount if you don't own a B4 lens and would like to start out using a photography lens. You can add the optional Blackmagic URSA Viewfinder, or for live production, you can add a Blackmagic URSA Studio Viewfinder. There's also an optional fibre converter that can power the camera from 1.2 miles away via the single SMPTE fibre. For long-duration recording, URSA Mini Recorder gives you the option to record to external SSDs.

Record to SSDs and U.2 Media

The optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5" SSDs, as well as the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s. This blazing-fast performance allows you longer recording times for full-resolution 4K and 6K 12-bit Blackmagic RAW files in the highest-quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It's controlled via the USB-C, so you don't have to worry about manually starting or stopping the SSD recorder.

Localized in 13 Languages

All Blackmagic Design cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, the heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.

Wireless Bluetooth Camera Remote Control

If you're positioning the camera on the end of a boom or in another hard-to-reach location, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.

Compatible with Industry-Standard Batteries

All URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer, and more. A V-mount battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12 to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fibre converter can power the camera from up to 1.2 miles away via a single SMPTE fibre cable.

Includes DaVinci Resolve Studio

URSA Broadcast G2 includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials, and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together, and output it fast. In addition to the new cut page, you also get DaVinci's legendary professional editing, advanced colour correction, audio post, and visual effects tools, all in a single software application. Now you can use the same high-end software that professional editors and colourists use.
  • Blackmagic Design URSA Broadcast G2 Camera
  • B4 Turret Dust Cap
  • EF Mount
  • EF Mount Dust Cap
  • 8 x EF Mount Screw
  • 12V/100W Power Supply
  • URSA Mini Shoulder Pad
  • URSA Mini Top Handle
  • V-Mount Battery Plate
  • 4 x V-Mount Plate Spare Screw
  • Viewfinder Mounting Plate
  • 2 x 1/4"-20 Baseplate Screw
  • 2 x Long 1/4"-20 Top Handle Screw
  • 2 x Short 1/4"-20 Top Handle Screw
  • DaVinci Resolve Studio Download QR Code
  • Camera Software Download QR Code
  • Limited 1-Year Warranty

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